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Title: Ficlet: More Than Words Can Wield
Fandom: Avatar: The Last Airbender
Character(s): Katara
Pairing(s): Katara/Aang
Rating: PG-13
Word Count: 500
Warnings: Set post-series, but since I haven't seen the finale, I'm only guessing about who survives it.
A/N: If I shipped any pairing in this fandom it would be Iroh/jasmine tea, but when an older (twenty-something?) Aang popped up in my imagination to tell Katara that she was his first love, I found myself wondering what she would say to that, given their history. Crossposted from
nebroadwe to
avatar_fans,
aangxkatara and
avatarfic.
Dedication: For
artemisrae, who helped prod me into this fandom and is now another year older. Many happy returns!
From her wild hair he teases one dark tress
And loops it up beside her seal-brown cheek,
And, smiling, "You were my first love," he says,
And kisses her, and waits for her to speak --
-- but she never knows how to answer him when he trots that one out. And you were mine wouldn't be true, not in the breathless, pulse-pounding, walking-through-lava-for-panda-lilies way he means it. Her first taste of those heady emotions ended in disaster, anyway, teaching her to be wary of the frisson of blood stirred by gallantry. She mistrusted even her slow-kindling attraction to him, confused by how it took fire not only from admiration, but also from compassion and camaraderie and terror for his life. That she lies in his arms now without bewilderment or fear of betrayal is a gift they share with delectable zest. Love is more than romance, but not less, and he's become adept at leaving her breathless.
She still doesn't know what to say to him, though. You gave me hope is true enough, but she'll stomp barefoot through hot coals before that phrase ever passes her lips again. I always knew you had excellent taste is too self-congratulatory, better suited to her brother's bantering voice than her own. Shut up and kiss me avoids the issue altogether (and in a most agreeable way) but she always feels guilty afterward, as she wouldn't if the rudeness were wholly in fun. At least he's not angling for a particular response, spirits be praised -- though if he ever does, she'll tell him You're as dear to me as salt and let him wrestle with the riddle till their next meal, like the old chieftain in Gran-Gran's tale of the three daughters.
She's tried to persuade herself it's a good thing that she can't reduce her feelings for him, then or now, to cliché, but it doesn't work. The moment she sees his frank, cheerful face she winces at the insult, blushing to think herself such a fool. She'd rather be angry -- it's not fair that his words take wing while hers clot on her tongue until a kiss washes the sour taste away -- or, better yet, she'd rather be eloquent. She's practiced, memorizing famous love poems (I am in your clay and you in mine) and rehearsing speeches of her own devising in front of the mirror (You brightened my life like moonlight reflected on the water, but now it's as if you're the moon itself and I am the ocean ...). When the time comes, however, those studied sentences never seem right. He always speaks from the heart; she wants to respond in kind. So she clasps him around the neck and hopes he understands everything that she means to say ...
Some lovers' words are artful, some are plain;
Some fluent tongues for passion silent fall.
Hers finds release in custom's fond refrain,
"And you're my own true love" -- for truth trumps all.
Author's Note: "Gran-Gran's tale of the three daughters" is a version of a widely-dispersed folktale in which a father asks his children to tell him how much they love him; he finally reconciles with the one who answers that he is "as dear as salt" after he's served a tasteless meal of unsalted food. (Shakesepeare's King Lear, from which I draw my title, harks back to another variation of this story.) The line "I am in your clay and you in mine" paraphrases a short passage from the work of the thirteenth-century Chinese poet and artist Kuan Tao-Sheng, translated by Kenneth Rexroth here. The framing poem, such as it is, is my own.
[Acknowledgments: Avatar: The Last Airbender was created by Michael Dante DiMartino and Bryan Konietzko; copyright for this property is held by Viacom International, Inc.]
Fandom: Avatar: The Last Airbender
Character(s): Katara
Pairing(s): Katara/Aang
Rating: PG-13
Word Count: 500
Warnings: Set post-series, but since I haven't seen the finale, I'm only guessing about who survives it.
A/N: If I shipped any pairing in this fandom it would be Iroh/jasmine tea, but when an older (twenty-something?) Aang popped up in my imagination to tell Katara that she was his first love, I found myself wondering what she would say to that, given their history. Crossposted from
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Dedication: For
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And loops it up beside her seal-brown cheek,
And, smiling, "You were my first love," he says,
And kisses her, and waits for her to speak --
-- but she never knows how to answer him when he trots that one out. And you were mine wouldn't be true, not in the breathless, pulse-pounding, walking-through-lava-for-panda-lilies way he means it. Her first taste of those heady emotions ended in disaster, anyway, teaching her to be wary of the frisson of blood stirred by gallantry. She mistrusted even her slow-kindling attraction to him, confused by how it took fire not only from admiration, but also from compassion and camaraderie and terror for his life. That she lies in his arms now without bewilderment or fear of betrayal is a gift they share with delectable zest. Love is more than romance, but not less, and he's become adept at leaving her breathless.
She still doesn't know what to say to him, though. You gave me hope is true enough, but she'll stomp barefoot through hot coals before that phrase ever passes her lips again. I always knew you had excellent taste is too self-congratulatory, better suited to her brother's bantering voice than her own. Shut up and kiss me avoids the issue altogether (and in a most agreeable way) but she always feels guilty afterward, as she wouldn't if the rudeness were wholly in fun. At least he's not angling for a particular response, spirits be praised -- though if he ever does, she'll tell him You're as dear to me as salt and let him wrestle with the riddle till their next meal, like the old chieftain in Gran-Gran's tale of the three daughters.
She's tried to persuade herself it's a good thing that she can't reduce her feelings for him, then or now, to cliché, but it doesn't work. The moment she sees his frank, cheerful face she winces at the insult, blushing to think herself such a fool. She'd rather be angry -- it's not fair that his words take wing while hers clot on her tongue until a kiss washes the sour taste away -- or, better yet, she'd rather be eloquent. She's practiced, memorizing famous love poems (I am in your clay and you in mine) and rehearsing speeches of her own devising in front of the mirror (You brightened my life like moonlight reflected on the water, but now it's as if you're the moon itself and I am the ocean ...). When the time comes, however, those studied sentences never seem right. He always speaks from the heart; she wants to respond in kind. So she clasps him around the neck and hopes he understands everything that she means to say ...
Some fluent tongues for passion silent fall.
Hers finds release in custom's fond refrain,
"And you're my own true love" -- for truth trumps all.
Author's Note: "Gran-Gran's tale of the three daughters" is a version of a widely-dispersed folktale in which a father asks his children to tell him how much they love him; he finally reconciles with the one who answers that he is "as dear as salt" after he's served a tasteless meal of unsalted food. (Shakesepeare's King Lear, from which I draw my title, harks back to another variation of this story.) The line "I am in your clay and you in mine" paraphrases a short passage from the work of the thirteenth-century Chinese poet and artist Kuan Tao-Sheng, translated by Kenneth Rexroth here. The framing poem, such as it is, is my own.
[Acknowledgments: Avatar: The Last Airbender was created by Michael Dante DiMartino and Bryan Konietzko; copyright for this property is held by Viacom International, Inc.]
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Date: 2008-08-09 05:11 pm (UTC)no subject
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Date: 2008-08-09 10:12 pm (UTC)enthrallamaze me. The poetry in this piece was just beautiful, and the emotion! - Oh, amazing! Gorgeous. Just gorgeous.no subject
Date: 2008-08-09 11:15 pm (UTC)no subject
Date: 2008-08-09 11:31 pm (UTC)no subject
Date: 2008-08-10 01:06 am (UTC)(Fourth Rule of Writerhood: Never miss an opportunity to plug your own work. :-)
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Date: 2008-08-09 10:59 pm (UTC)no subject
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Date: 2008-08-10 03:12 pm (UTC)no subject
Date: 2008-08-09 11:28 pm (UTC)The poetry is gorgeous, and as for the fic itself, I'm especially fond of the line: She mistrusted even her slow-kindling attraction to him, confused by how it took fire not only from admiration, but also from compassion and camaraderie and terror for his life. Because yes, that is exactly how it went for her (at least how I like to imagine it) and I also love the way that Aang can say it so simply and leave her tongue tied. Katara talks about her feelings ALL THE TIME and you know only something truly important would sort of leave her thoughtful like this.
Wonderful work from you, as always, and a brilliant birthday gift. Thank you so so much - I would be happy enough just to see more Avatar fic from you, but fic from my OTP? I saw it and xed out of my browser and had to come back to LJ just to prove to myself it was real.
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Date: 2008-08-10 12:24 am (UTC)She shoots -- she scores! The crowd goes wild! (Too bad there's no Olympic medal for Katara/Aang birthday 'fic. I look good in laurels. :-)
The poetry is gorgeous, and as for the fic itself, I'm especially fond of the line: She mistrusted even her slow-kindling attraction to him, confused by how it took fire not only from admiration, but also from compassion and camaraderie and terror for his life.
Oh, good, because fortunately that's not one of the three that just got edited. [sighs with relief] I read a lot of Zutara when I first started poking around in this fandom, which, if nothing else, made me think hard about how a romantic relationship between Katara and Aang would develop, given what canon shows us of their interactions, fluffy and otherwise. (A good deal of which I haven't seen -- I'm not sure what it is about this fandom that always has me writing ahead of my knowledge. First that season 2 Iroh drabble when I'd only watched season 1, and now this postseries ficlet when I haven't watched most of season 3. I live in terror of producing something utterly boneheaded and getting my artistic license revoked.)
I also love the way that Aang can say it so simply and leave her tongue tied. Katara talks about her feelings ALL THE TIME and you know only something truly important would sort of leave her thoughtful like this.
I kept imagining it as one of those bizarre rhetorical disconnects, where he's just bringing up the topic as a way of telling her how much he loves her, but she hears it primarily as an invitation to retell their story and gets stuck, because her opening line is, "I thought you were such a sweet little guy, just like Momo." (The Ember Island Players have a lot to answer for, because "You gave me hope" really would have worked, if they hadn't destroyed it with their performance. Someday I must write the story where the Players acquire a new patron in the Fire Lord, who's willing to give them lots of money, but only if they drop certain plays from their repertoire ...) Then, too, as you say, she took a lot longer to fall in love with him and not in the conventional across-a-crowded-
glacierroom romantic way (or even the hate-is-passion's-twin way that drives a fair amount of Zutara), so she doesn't have the same store of ready-made tropes to use as he does.One thing I kept working on as I revised through the drafts was making sure the sense that it's only this one situation that catches her up short comes through. I wasn't trying to say that she doesn't know how to tell him she loves him -- only that, in this one instance, she doesn't have a ready retort. Hopefully I succeeded there ...
Wonderful work from you, as always, and a brilliant birthday gift. Thank you so so much ...
Thank you. If I've succeeded in pleasing you, my work here is done. (Except for a tweak-tweak here and a tweak-tweak there ... Old MacDonald had a 'fic ...)
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Date: 2008-08-10 05:15 pm (UTC)This is when it's good to remember that Avatar is a kid's show. There aren't many leaps of logic you could make that would be terribly off base.
I kept imagining it as one of those bizarre rhetorical disconnects, where he's just bringing up the topic as a way of telling her how much he loves her, but she hears it primarily as an invitation to retell their story and gets stuck, because her opening line is, "I thought you were such a sweet little guy, just like Momo."
That WOULD leave her rather tongue tied, considering that he knew pretty much from the beginning that he loved her and hers came around more slowly. She wouldn't want to hurt his feelings, but to be fair he was (is) 12 (future hunkiness notwithstanding). The fact that she grew into it is one of my favorite aspects of their relationship (and this goes for Ed/Winry as well) - they're best friends first, and then the relationship grew out of that.
Someday I must write the story where the Players acquire a new patron in the Fire Lord, who's willing to give them lots of money, but only if they drop certain plays from their repertoire ...
I LOVE THIS IDEA and encourage you WHOLEHEARTEDLY to pursue it. Especially because you know Sokka and Toph would be devastated to see their onstage selves yanked...
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Date: 2008-08-12 02:23 pm (UTC)[considers this statement, then considers the Avatar section of the Pit of Voles ... :-)]
I LOVE THIS IDEA and encourage you WHOLEHEARTEDLY to pursue it. Especially because you know Sokka and Toph would be devastated to see their onstage selves yanked...
It keeps wanting to tell itself from the point of view of the players, though. ("I'll have to rewrite the ending." "Keep the fight scene! Audiences love fight scenes!") More research -- my theater days are too far behind me and I was never involved much on the production side.
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Date: 2008-08-10 01:38 am (UTC)Your writing is beautiful.
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Date: 2008-08-10 12:14 pm (UTC)Yay! That's what I was hoping to achieve. Rhymed quatrains in iambic pentameter are hard. I toyed with the idea of doing the framing poem as a Petrarchan sonnet (8 lines, then another 6), but getting the first four to work together properly was so difficult I decided it wasn't worth it. Sometimes you have to know when to stop.
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