Title: Ashes, Ashes: A Sequence
Fandom: Avatar: The Last Airbender
Character(s): Ozai, with cameos from Zuko and others
Pairing(s): None
Rating: PG
Word Count: 700
Warnings: Set post-series; contains spoilers for the finale.
A/N: I've been writing villains at length for the first time lately and it's almost too much fun. Crossposted from
nebroadwe to
avatar_fans and
avatarfic.
Dedication: For everyone on my f-list who refused to adopt a plotbunny. It's all your fault, you know.
It's a game they play, the deposed king and his faithless successor. Zuko demands to know where his mother is, and Ozai answers him with silence or taunts him with cryptic reminiscences. Her absence is all that binds them now, a chain as delicate as spider-silk and as unyielding as star-steel. When chance allows, Ozai twists it ruthlessly, desiring to see that high-crowned head humbled, those stubborn knees brought low.
You are so like her, he murmurs, and when the boy stretches his neck to hear more, a hawk straining after poisoned meat, he whispers, She was a traitor, too.
≈≈≈≈≈
His captors are not cruel: twice daily he is fed, and twice escorted into the yard to exercise, after which he returns to find his chamberpot emptied and his linens aired or changed. By his son's order he is served in silence, so that his ambiguous status (what style befits an uncrowned Fire Lord?) need not become an occasion of lèse-majesté.
These courtesies Ozai scorns as cowardice, the hypocrisy of one who pardons what he dares not damn. Without the Avatar to prop you up, you would fall, he accuses Zuko, and accepts the boy's mute headshake as proof.
≈≈≈≈≈
He takes the air reluctantly, uneasy now beneath the sun. At dawn the whole valley blushes like a maiden at her lover's fond approach, but that heady passion no longer animates him. The noonday heat on his skin is merely warmth, not power; the darkening sky, an empty invitation to rest. The Avatar has cast his spirit into perpetual eclipse: Ozai wonders whether this is how a corpse feels, shrouded for the pyre, and whether the only ardor he will know henceforth is that final burning.
He learns to prefer the cold stone walls of his cell, which excuse all.
≈≈≈≈≈
His son stands ghostlike on the threshold, robed in white. "Azula is dead," he says.
Ozai attends with interest to the tale: she hanged herself in her chamber, by a rope of scraps torn from the seams of her garments and braided secretly in the empty watches of the night, while her attendants slept. A tragic end, and not implausible -- and all bodies look the same, once they are ash. The Phoenix King eyes his heir with the first, faint stirrings of respect. He had not thought the boy so politic.
"Well done," he says. "You are learning, at last."
≈≈≈≈≈
At first Ozai believes he has miscounted the days between his son's visits, but the time comes when there can be no mistake: the usurper has fled the field, leaving the true Fire Lord in possession. He stands in the center of his cell, eyes closed, arms spread wide in benediction, as if all the pride of his kingship has been restored. For Zuko has failed: now he must live and die in the shadow of his father's victory.
Ozai laughs until the walls ring with the echoes, his exultation as loud as a flourish of drums, and as hollow.
≈≈≈≈≈
In his dreams he knows the truth: that no man can take away another's bending, not even the Avatar. He will rise from the ashes of his own defeat to purify the world as he has been purified. Loss is an illusion, like separation, like death. He burns the Earth Kingdom from shore to shore, and new forests spring up from the seeds of the old. He melts the polar ice, and lion-turtles swim in the rising seas. He cradles his daughter's body in his arms, and at his touch her tormented eyes open.
Father, she says. Let me go.
≈≈≈≈≈
Ozai looks up from his dinner to see his son, all unexpected, usher a cloaked figure into the cell. The turtle-duck soup sours in his belly: Am I a spectacle now? He turns away, watching sidelong as this new visitor lifts chapped hands to push back the cloak's deep hood.
She is thinner than he remembers, less elegant, her fair skin freckled and her hair coarse. But she kneels to face him with the same grace, the proud lines of her face (even marred by pity) still queenly, still lovely.
He weeps to see her and know himself truly powerless.
[Acknowledgments: Avatar: The Last Airbender was created by Michael Dante DiMartino and Bryan Konietzko; copyright for this property is held by Viacom International, Inc.]
Fandom: Avatar: The Last Airbender
Character(s): Ozai, with cameos from Zuko and others
Pairing(s): None
Rating: PG
Word Count: 700
Warnings: Set post-series; contains spoilers for the finale.
A/N: I've been writing villains at length for the first time lately and it's almost too much fun. Crossposted from
Dedication: For everyone on my f-list who refused to adopt a plotbunny. It's all your fault, you know.
It's a game they play, the deposed king and his faithless successor. Zuko demands to know where his mother is, and Ozai answers him with silence or taunts him with cryptic reminiscences. Her absence is all that binds them now, a chain as delicate as spider-silk and as unyielding as star-steel. When chance allows, Ozai twists it ruthlessly, desiring to see that high-crowned head humbled, those stubborn knees brought low.
You are so like her, he murmurs, and when the boy stretches his neck to hear more, a hawk straining after poisoned meat, he whispers, She was a traitor, too.
His captors are not cruel: twice daily he is fed, and twice escorted into the yard to exercise, after which he returns to find his chamberpot emptied and his linens aired or changed. By his son's order he is served in silence, so that his ambiguous status (what style befits an uncrowned Fire Lord?) need not become an occasion of lèse-majesté.
These courtesies Ozai scorns as cowardice, the hypocrisy of one who pardons what he dares not damn. Without the Avatar to prop you up, you would fall, he accuses Zuko, and accepts the boy's mute headshake as proof.
He takes the air reluctantly, uneasy now beneath the sun. At dawn the whole valley blushes like a maiden at her lover's fond approach, but that heady passion no longer animates him. The noonday heat on his skin is merely warmth, not power; the darkening sky, an empty invitation to rest. The Avatar has cast his spirit into perpetual eclipse: Ozai wonders whether this is how a corpse feels, shrouded for the pyre, and whether the only ardor he will know henceforth is that final burning.
He learns to prefer the cold stone walls of his cell, which excuse all.
His son stands ghostlike on the threshold, robed in white. "Azula is dead," he says.
Ozai attends with interest to the tale: she hanged herself in her chamber, by a rope of scraps torn from the seams of her garments and braided secretly in the empty watches of the night, while her attendants slept. A tragic end, and not implausible -- and all bodies look the same, once they are ash. The Phoenix King eyes his heir with the first, faint stirrings of respect. He had not thought the boy so politic.
"Well done," he says. "You are learning, at last."
At first Ozai believes he has miscounted the days between his son's visits, but the time comes when there can be no mistake: the usurper has fled the field, leaving the true Fire Lord in possession. He stands in the center of his cell, eyes closed, arms spread wide in benediction, as if all the pride of his kingship has been restored. For Zuko has failed: now he must live and die in the shadow of his father's victory.
Ozai laughs until the walls ring with the echoes, his exultation as loud as a flourish of drums, and as hollow.
In his dreams he knows the truth: that no man can take away another's bending, not even the Avatar. He will rise from the ashes of his own defeat to purify the world as he has been purified. Loss is an illusion, like separation, like death. He burns the Earth Kingdom from shore to shore, and new forests spring up from the seeds of the old. He melts the polar ice, and lion-turtles swim in the rising seas. He cradles his daughter's body in his arms, and at his touch her tormented eyes open.
Father, she says. Let me go.
Ozai looks up from his dinner to see his son, all unexpected, usher a cloaked figure into the cell. The turtle-duck soup sours in his belly: Am I a spectacle now? He turns away, watching sidelong as this new visitor lifts chapped hands to push back the cloak's deep hood.
She is thinner than he remembers, less elegant, her fair skin freckled and her hair coarse. But she kneels to face him with the same grace, the proud lines of her face (even marred by pity) still queenly, still lovely.
He weeps to see her and know himself truly powerless.
[Acknowledgments: Avatar: The Last Airbender was created by Michael Dante DiMartino and Bryan Konietzko; copyright for this property is held by Viacom International, Inc.]
no subject
Date: 2008-11-19 12:06 am (UTC)no subject
Date: 2008-11-19 12:26 am (UTC)I love your choice of words in descriptions, the first paragraph being my favourite, I think.
Oog. I must have rewritten the last sentence of that paragraph at least sixteen times. The subject's still got a grammatically unclear antecedent, but I can't think how to resolve the problem right now. Maybe it'll come to me in the middle of the night. :-)
no subject
Date: 2008-11-19 01:07 am (UTC)no subject
Date: 2008-11-19 01:15 am (UTC)no subject
Date: 2008-11-19 03:23 am (UTC)- #3; surprisingly, hardly anyone tries to capture how horrifying it would be to lose a part of your soul, and you capture it perfectly!
- a hawk straining after poisoned meat
oooh, great metaphor
- Without the Avatar to prop you up, you would fall, he accuses Zuko, and accepts the boy's mute headshake as proof.
- Each one stands well on tis own, but the last one really connects them all together very well, and you're able to see the process and the end it has been building up to.
In short, a highly satisfying read. *Memory.*
no subject
Date: 2008-11-19 02:35 pm (UTC)Well, [blush]. Thank you. And thanks for the specific favorites!
- #3; surprisingly, hardly anyone tries to capture how horrifying it would be to lose a part of your soul, and you capture it perfectly!
I knew I wanted to write about that, but I also knew it was going to require a really good set of metaphors and a light touch (or else it risked getting bathetic). I'm glad you find it worked.
"a hawk straining after poisoned meat" -- oooh, great metaphor
I'm proud of that one. It came in early and stuck through all the revisions (I think the only change was from a simile to a metaphor, in order to keep the word count under 100).
- Each one stands well on its own, but the last one really connects them all together very well, and you're able to see the process and the end it has been building up to.
Woot! That's what I was going for. Yay for success! :-)
no subject
Date: 2008-11-19 03:44 am (UTC)In general, my opinion of "Hot damn!" from the night before stands. Ozai seriosuly fascinates me - not just on the level of a villain, but on the level of a son who's been raised in the grand family tradition and ended up as the losing generation just through the genetic draw.
Also Azula's fate... whoo. I love that you mentioned Zuko wearing white in that drabble.
That last line was a gut puncher - but then, I'm on the side of "Ozai and Ursa probably were very much in love or at least happily married for a few years there." It's interesting to think how the storyline is altered a bit if she hadn't been forced from the palace in the end.
no subject
Date: 2008-11-19 02:20 pm (UTC)Great minds think alike. :-)
Ozai seriously fascinates me - not just on the level of a villain, but on the level of a son who's been raised in the grand family tradition and ended up as the losing generation just through the genetic draw.
Yes: if he's a psychopath (even a high-functioning one, up till the end) he's got a bit of the tragic figure about him because he's not entirely the master of his fate. (In a story with a more developed cosmology, I'd be coming up with "sport of the gods" metaphors.) Sozin, in full possession of all his faculties and eaten up by ambition, is a far more culpable figure, IMO (though tragic in another way, choosing that ambition over friendship at the last possible moment).
Also Azula's fate... whoo. I love that you mentioned Zuko wearing white in that drabble.
It's the details that make these things for me (though I admit I had this "Shoot, wait -- are Fire Nation mourning clothes white?" moment after I posted last night. Thank goodness for screencaps.).
That last line was a gut puncher - but then, I'm on the side of "Ozai and Ursa probably were very much in love or at least happily married for a few years there."
I haven't considered their early life together all that much -- historically speaking, kings and queens on the scale of things in the Fire Nation live in an oxymoronic combination of intimacy and separation: they'd be heads of parallel court households on a grand scale, almost certainly with separate personal living suites, but at the same time they'd have very little privacy, so that even if they became personally estranged, there'd be an enormous amount of social and political pressure to appear "normal" in the course of their public duties. One might conjecture that Ursa spends so much time with her children as an acceptable alternative to interacting with her husband. Or that, given that "romantic" royal marriages are the exception rather than the rule, they're rubbing along perfectly well together in largely separate spheres, but that Ozai hasn't shared the depths of his ambitions with her, so that his attempted coup takes her by surprise and leads her to desperate measures. Hmm ...
I think by the time this sequence ends, though, Ozai is far enough around the twist that, whatever feelings he he once had for her, they're ashes now.
no subject
Date: 2008-11-19 04:03 am (UTC)no subject
Date: 2008-11-19 01:43 pm (UTC)Three times now. (http://nebroadwe.livejournal.com/tag/avatar) :-)
I especially loved the line:"At dawn the whole valley blushes like a maiden at her lover's fond approach, but that heady passion no longer animates him."
You know, it's funny, but Ozai's thing about sunlight was supposed to be the point of drabble #2, but that one decided to take a left turn into politics (which was supposed to be the point of another drabble entirely, and a rather more confrontational moment between father and son, but oh, well ...). So I was left with what I was sure was going to be an impossible half-an-idea, made a few notes, and went to bed. I swear I was up every five minutes for the next half-hour, jotting down lines as they emerged. I finally got a very large piece of paper and stopped turning on the light and picked a different corner each time I had another brainstorm. Inspiration is an odd thing ...
no subject
Date: 2008-11-19 04:34 pm (UTC)no subject
Date: 2008-11-19 04:38 pm (UTC)no subject
Date: 2008-11-19 04:40 pm (UTC)no subject
Date: 2008-11-19 04:46 pm (UTC)no subject
Date: 2008-11-20 12:56 am (UTC)no subject
Date: 2008-11-19 04:53 am (UTC)no subject
Date: 2008-11-19 01:21 pm (UTC)I especially loved the opening ...
Boy, am I glad to hear that's doing it for people, because (as I think I've said up-comment) that first paragraph gave me all kinds of trouble. I knew what I wanted to say, but actually saying it in a way that would start the whole sequence off with a bang (and not run over 100 words or be too grammatically awkward or stupidly pompous) was quite difficult. Phew.
no subject
Date: 2008-11-19 09:33 am (UTC)I like your little moments of Zuko, too.
no subject
Date: 2008-11-19 01:14 pm (UTC)I like your little moments of Zuko, too.
He's just as important here, if only because I can use what we know about him to throw Ozai's skewed perspectives into sharper relief.
no subject
Date: 2008-11-19 03:14 pm (UTC)The story was very impressive in my eyes. thank you.
no subject
Date: 2008-11-19 04:34 pm (UTC)Bitte entschuldigen Sie mir die Fehler! Ich habe seit ein Paar Jahre Deutsch nur gelesen und nicht geschrieben oder gesprochen. Ich habe auch leider kein Umlaut auf diesem Computer, argh.
no subject
Date: 2008-11-21 01:12 pm (UTC)I know how difficult it is to write and speak in a language, which is not your own. I think, I have the same problems in English. I can understand it very well, but it is another thing to speak and write, if you did not stay on to practice it.
Your story now inspired me to try it myself.
no subject
Date: 2008-11-22 12:31 am (UTC)Dankeschoen. Das Internet zu Hause ist gescrozzelt; natuerlich gibt es dort Umlaute [grumble mutter gripe].
I know how difficult it is to write and speak in a language, which is not your own. I think, I have the same problems in English. I can understand it very well, but it is another thing to speak and write, if you did not stay on to practice it.
Yes, definitely. Es hilft mir nicht, dass ich jetzt drei andere Sprache als Englisch studiert habe -- Deutsch, Lateinisch und Japanisch -- und sie kaempfen immer ueber Kontrolle meines Mundes, als ich eine Fremdsprache benutzen will. Meine Saetze oft totemo macaronic ni narimasu, which makes vitam difficilior. (Loose translation: I end up trying to speak three languages at once, which doesn't work very well. :-)
Your story now inspired me to try it myself.
Ich habe dein Versuch gesehen. I'll get around to leaving a comment eventually ...
no subject
Date: 2008-11-25 02:59 pm (UTC)I knew what you mean. This happens to me with German and English sometimes, especially when I try to write english but thinking in German.
And thank you for your comment to my story. It made me very happy!
no subject
Date: 2008-11-26 02:11 am (UTC)Es gab einen Professor bei meiner Uni, der immer sagte, dass man mehr Sprachen als Englisch studieren sollte -- mindestens Französisch, Deutsch, Spanisch, Italienisch, Russisch, Altgriechisch und Latein, sowie eine Sprache, die nicht aus der centum Seite der indo-europäischen Sprachfamilie stammt. Wir haben ihn gefragt, "Wie viele wissen Sie?" Er antwortete, "Vierzehn." Wir waren ein bisschen ... erstaunt. (Dann erzählte er uns, dass er einen Master-Abschluss in Turksprache hatte. Cheater.) Fremdsprachen gefallen mir -- Philologie auch. I'm a language geek: I love comparing the different grammatical and syntactic structures. Ich wünsche nur, dass ich als Kind eine Fremdsprache lernen könnte. I'd love to be truly bilingual.
Auch ich hatte Latein in der Schule (im Gymnasium - hier weiß ich nicht ob das mit der High-School vergleichbar ist) ...
Ja, es ist vergleichbar.
... aber meine Erinnerung ist nach über zwanzig Jahren so gering, dass ich gerade noch ahnen kann, was gemeint ist und das ein oder andere Wort Französisch, Spanisch oder Italienisch verstehe.
Ich muss jetzt Latein bei meiner Arbeit in der Bibliothek benutzen; deshalb kommt es Stück für Stück wieder. Ich konnte nicht auf Lateinisch viel schreiben, aber ich kann genug lesen. Barely. :-)
And thank you for your comment to my story. It made me very happy!
You're welcome! I trained as a literary scholar before I went to work in the library, so talking about fiction is as much fun for me as writing it.
no subject
Date: 2008-11-30 01:38 pm (UTC)Erst nach der Schule, als ich intensiv zu schreiben anfing veränderte ich mich. Ich frischte meine Englischkenntnisse auf und erarbeitete mir beim Schreiben auch meinen eigenen Stil.